The company ended up being called the not-so-catchy: Degas played a key role in lobbying for signatures. Once the charter was finalised on 27 December 1873, Monet and Pissarro had to get people to subscribe for the company’s shares (at a cost of 60 francs a year, paid at the rate of 5 francs a month). ![]() The impressionists were already distrusted by the establishment, and, given that Paris was just starting to recover from a communist rebellion (called the Paris Commune), Monet wanted to take no chances. This was complicated because it was clear to Monet that the company should have no political goals. Monet and Pissarro spent months drafting the charter (the rules governing how the company should operate), using a charter from a baker’s co-operative as a guide. ![]() The Anonymous SocietyĪfter the idea of an independent exhibition was mooted in 1873, Monet and Pissarro decided that they should incorporate a joint stock company in which artists and their supporters would hold shares. Nadar’s third floor studio was also large and bright, having floor to ceiling windows. Finished in 1865, it was 35-metres wide, tree-lined and presented a prime commercial site. The Capucines, one of the four ‘grand boulevards’ of Paris, having been constructed during Baron Haussmann’s remodelling of Paris. Monet happened to know the caricaturist and photographer known simply as Nadar, who was vacating his studio on the Boulevard des Capucines. The main organisers of the first exhibition were Monet, Pissarro, Degas and Renoir. Both he and Degas (who needed money because his family business had recently failed) both saw the exhibition as an opportunity to show their works to a wider audience and to drum-up some lucrative sales. I enter the Salon through the main door, and fight alongside the others.”īut Monet would not be persuaded. “I will never exhibit in the shack next door. “Why don’t you stay with me? Can’t you see I’m on a winning streak?’ ![]() Manet tried to persuade Monet against the idea of an independent exhibition, saying: Manet’s view was fortified by the fact that, in 1873, he had scored a rare Salon success with a picture of a man drinking a pint of beer called the Bon Bock (the Happy Beer). He still had ambitions of persuading the Salon jury and the art establishment of the value of his work.
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